Skip to main content

Ghostbusters Afterlife (2021)

I think that it is pretty much accepted by everyone that the 2016 version of Ghostbusters was terrible. The idea of having four female ghostbusters was squandered and the vocal minority that were able to act like they were right in voicing what they perceived was what was happening to their beloved franchise. Ultimately the jokes were so bad and the idea of putting comedy before the story meant that the film died a death and it seems like they have gone back to basics with this version directed by Jason Reitman son of Ivan Reitman.


The film Callie and her children (Trevor and Phoebe) who are forced to live in the house occupied by Callie’s father Egon who became estranged from his daughter and grandchildren. Callie feels a lot of resentment towards her dad but as the film progresses this softens and there is a lovely moment between Callie and a CGI Egon. Paul Rudd plays Mr Grooberson who is the 2021 Louis Tully even down to the running out of a Walmart and the creature crashing through the door to chase after him and he becoming possessed. 


The thing about this film is that its trying to create its new generation of beloved characters. Phoebe (McKenna Grace) is the new Egon and does very well in being a mirror image of Egon yet having enough qualities to feel new enough. Finn Wolfhard does get sidelined for most of the film as Trevor and only comes into the film in the second half. Logan Kim is the Stantz of the group. He’s a bit over excited with what he’s seeing and normally being a podcast obsessed would be irritating but Kim manages to make Podcast seem likeable and a good part of the group.Celeste O’Connor is the Winston of the group and aside from the romance stuff with Trevor. As she is saddled with that storyline like Wolfhard only gets the shine when the film gets into the second half. As a foursome they work really well even though they are all different people they still come together when needed like they did in 1984 and like they failed to do in 2016. 


Having Egon appear via computer trickery was a nice touch although it was slightly jarring that he didn't utter a word. It was a shame that Harold Ramis passed away in 2014 but it seemed like they wanted to have him in it but didn't know or could get the voice right. I also thought that the romance thread between Trevor and Lucky that didn't go anywhere was a bit of a waste of time. The central plot leaned a bit too much towards the first film which was disappointing because a mix of new and old is always good but it leant just a bit too much towards the old.


It was nice that Bill Murray, Dan Aykroyd and Ernie Hudson came back for a bit more than silly cameos. They werent in it all the time but at least the first film was remembered in a nice way and I was worried that they were going to swoop in and save the day after the younger characters had done all the heavy lifting but thankfully they didnt and had some good one liners but it did look like the years hadnt been kind to Aykroyd and Murray.


Overall I thoroughly enjoyed Ghostbusters: Afterlife. It would have had to try really hard to be worse than Ghostbusters 2016 but judging this film on its own merits then its a fun film. There are two post credit scenes. The first being with Sigourney Weaver and Bill Murray nodding to the first scene that Peter had in the 1984 version which was fun but not really leading to anything and then the final scene is between Janine and Winston which shows how successful Winston has become and has kept the original building and now keeps Ecto-1 in it. Whether this leads to another film only time will tell but if the films continue in this vein then I wouldn't mind seeing more.


Comments

Popular posts from this blog

Jurassic World Dominion (2022)

I really enjoyed the first Jurassic World film, yes some of the things were a bit silly and it was a bit of fan service but I still enjoyed it and thought it worked quite well. The second one took a bit of a dip in quality and the whole idea that there is a secret lab underneath a massive house did seem a bit silly. It did end with a cliffhanger and the potential for this final could have been about how we were dealing with the dinosaurs. This final part of the trilogy (whether it's the final Jurassic film is doubtful) was delayed because of the pandemic although how much of that is why this film was a huge disappointment is probably going to remain a mystery. The main problem with the film is that it feels like three movies in one. You have the Claire/Owen storyline then there is the original trio’s storyline with the return of Dodgson and then the meshing of the two. This means that it feels like they are throwing a lot at the wall to see what sticks. Dodgson is portrayed as some...

Elio (2025)

Elio is a film that seemed like it could be a lot of fun based off the trailer which is a mistake as a trailer has more often than not made a film to look better than it is. The trailer didn’t suggest that Elio had lost his parents (deceased parents is such a typical Disney move) and he now lives with his aunt who works on an air force base. He gets interested in space and then wants to be abducted by aliens and gets his wish and ends up in the communiverse with a variety of different aliens. This includes a warmongering Lord Grigon. Elio is mistakenly thought of as the leader of Earth and soon finds himself trying to broker a peace with Grigon. In the middle of all this He makes friends with Glordon who is the son of Lord Grigon. Elio plans to use Glordon as a bargaining chip and when he comes to pick up fortis then things go wrong and that is when the plot really kicks in. The animation is your typical Pixar sort and it’s nice and can work in any type of story. It’s weird to think th...

Hallow Road (2025)

Hallow Road stars Rosamund Pike and Matthew Rhys who are Maddie and Frank who are woken up in the middle of the night by their daughter Alice (Megan McDonnell) who has been in an accident and the movie is basically Maddie and Frank driving to the location talking to their daughter and it all takes place in the car.  The film is basically led by Pike and Rhys. Maddie wants to call the police and use a sympathetic police officer to help their daughter and yet Frank wants to take the blame and this leads to conflict between the two. One of the reasons why the film works in the way that it does is that these two work well together despite their characters being polar opposite. The fact that the film takes place inside the car apart from the opening couple of minutes and the final few minutes and still manages to be entertaining and gripping shows how good the performances were and also the writing. Credit has to go to director Batak Anvari for keeping things ticking along and never le...