November 02, 2025

The World’s End (2013)

 The third and final part of the Cornetto Trilogy is the weakest. When you come after one of the best horror comedies and one of the best buddy cop movies ever made then it was always going to be an impossible task to end this trilogy on a satisfying note. People can argue/debate which is the best and they will either say Shaun of the Dead or Hot Fuzz but no one will say that The World’s End is the best. The film follows Gary King (Pegg) who convinces his old school friends to return to the village they all grew up in to complete the Golden Mile beer drinking challenge. The only problem is that Gary hasn’t grown up and yet everyone else has.


As they progress things start to get a bit strange when the residents of this supposedly sleepy village. It turns out that the residents (or most of them) have been replaced by an alien race and after talking to Gary, the Network decide to give up and leave causing the world to basically end and things to go back to the dark ages. The idea of an alien invasion of a sleepy village is a good one but the main issue is that the idea of one of the leading characters is a recovering alcoholic and drug addict is something that can’t and isn’t used in a humorous way. There are some amusing moments but the memorable gags are way down on the previous two films. This film has so many big names (big for the UK) and the second film in the trilogy that features a Bond but I think whilst Pierce Brosnan is very good I dont think the character is as well used as the Timothy Dalton one. 


The thing about The World’s End is that if it didn’t follow Shaun of the Dead or Hot Fuzz then it would be a perfectly fine film but when you raise the bar to the heights that those films did then you can’t really afford to drop the ball and unfortunately they did. I don't think that the humour is there and Gary basically being an alcoholic doesn't really lend itself to comedy and a lot of the arguments just come across as mean spirited. The ending is too downbeat I think for this film. These films don't end on a downbeat note even Shaun of the Dead has a relatively upbeat end.


Like the previous two films, this is a very well directed film. Edgar Wright had really honed his skill down in making the plot zip along at a good pace and the fight scene in the toilets is ok although it did feel like there was a bit too much shaky cam used. Due to Wright’s skill, he still makes the town feel like a real place considering the sci-fi aspect of the plot. Simon Pegg is good as Gary King and it's hard to feel angry at him even when he clearly hangs his friends out to dry in events before the film. Nick Frost is fine when he is sober and straight faced Andrew but once he puts bar stools on his fists and starts fighting then that is when he becomes more interesting. Paddy Considine, Martin Freeman & Eddie Marsan are fine as Steven, Oliver & Peter but they feel like supporting characters because the relationship between Gary and Andrew is clearly the most important and not just because of Simon Pegg and Nick Frost. Rosamund Pike is the love interest but doesn't really add anything and thats not the fault of Pike but it's just what she had to work with.                         


This isn’t a terrible film by any means and if it occurred separately from the other two films then this would be a perfectly fine film but following on from Hot Fuzz and Shaun of the Dead means the Cornetto trilogy ends on a sour note.  


November 01, 2025

Hot Fuzz (2007)

I always thought that if I had the chance to watch the Cornetto trilogy at the cinema that I would take it. I previously saw Shaun of the Dead at the cinema back in September 2024.

Shaun of the Dead was Edgar Wright and Simon Pegg’s take on the George Romero films, Hot Fuzz is their take on the buddy cop genre of films. The set up of the film is that Simon Pegg plays Nick Angel who is a super cop and is sent to what appears to be a quiet country village because he is making the rest of the officers look bad. I like the pre-title scenes because it establishes just how much Nick is in love with the job, wanting the correct terms to be used.The problem is that he is making everyone look bad. The station that Angel is a part of has a nice collection of amusing people.

The relationship between Simon Pegg and Nick Frost was one the things I liked about Shaun of the Dead and it’s even better in this film. Danny (Frost) looks up to Angel from the moment that….well sobers up and this quickly leads to a great moment where they are watching Bad Boys 2 and Point Break. Timothy Dalton is brilliant in this film and actually steals it in my opinion. From the moment he appears on screen he is great to watch. He’s the supermarket manager and just acts like he’s up to something. What the film does well is hiding the fact that everyone in the NWA group is up to something. Most people probably caught on to this when they first watched it but I only ever spot something like that if the story isn't gripping me and I was totally gripped by this film. It does seem like every British actor is in this film and whilst the majority probably won't be familiar with international audiences or those under a certain age, for me it's fun to see them. 

Aside from the story, the thing I like about this film is the editing because it's done much better than in Shaun of the Dead which is to be expected as it's three years later. I was thinking about Baby Driver when watching this film because there are similarities in scene transition. Some people might think this is a style over substance film but to be honest that is unfair as the film has substance to back up the style. The whole set up of the film is better than Shaun of the Dead. I think that the film has more of a structure to it in narrative terms and as such the jokes and references are a lot more subtle and work better. 

I really love Hot Fuzz and think that it's Edgar Wright's best film. The final half hour is the perfect final act because it just feels like it's having fun. It is a buddy cop film that has a nice western vibe at one point. Hot Fuzz is a comedy that I watch every couple of years and it's still funny all these years later. I think that it's by far the best of the trilogy although I understand if people prefer Shaun of the Dead. The jokes are funnier, the story is better, the performances are stronger and the whole thing has a style that I think works better than Shaun of the Dead. 


100 Favourite Horror Films - 2025 Edition

In 2024, I decided to make a list of my favourite 100 horror films that I have watched and rated. They arent perhaps the greatest but they are ones that I enjoy for one reason or another. Well since then I have been getting ready to make another list but with horror films that I have watched since November 1st 2024 to October 31 of this year.

Here is the list in full. New entries are highlighted red.

  • Frankenstein (1931)
  • Dracula (1931)
  • The Invisible Man (1933)
  • Bride of Frankenstein (1935)
  • Psycho (1960)
  • Night of the Living Dead (1968)
  • Asylum (1972)
  • Theatre of Blood (1973)
  • Don't Look Now (1973)
  • The Wicker Man (1973)
  • The Vault of Horror (1973)
  • The Exorcist (1973)
  • The Texas Chain Saw Massacre (1974)
  • The Omen (1976)
  • Eraserhead (1977)
  • Dawn of the Dead (1978)
  • Halloween (1978)
  • Invasion of the Body Snatchers (1978)
  • Alien (1979)
  • Friday the 13th (1980)
  • The Shining (1980)
  • An American Werewolf in London (1981)
  • The Monster Club (1981)
  • The Evil Dead (1981)
  • The Thing (1982)
  • Poltergeist (1982)
  • Psycho II (1983)
  • Gremlins (1984)
  • A Nightmare on Elmt Street (1984)
  • The Return of the Living Dead (1985)
  • Aliens (1986)
  • Chopping Mall (1986)
  • Critters (1986)
  • Near Dark (1987)
  • Evil Dead II (1987)
  • The Blob (1988)
  • They Live (1988)
  • Child's Play (1988)
  • Gremlins 2: The New Batch (1990)
  • The Exorcist III (1990)
  • Misery (1990)
  • The Silence of the Lambs (1991)
  • Alien 3 (1992)
  • Ghostwatch (1992)
  • From Dusk Till Dawn (1996)
  • Scream (1996)
  • Event Horizon (1997)
  • Funny Games (1997)
  • The Faculty (1998)
  • The Blair Witch Project (1999)
  • The Sixth Sense (1999)
  • Sleepy Hollow (1999)
  • From Hell (2001)
  • 28 Days Later (2002)
  • Shaun of the Dead (2004)
  • Saw (2004)
  • The Descent (2005)
  • The Host (2006)
  • The Mist (2007)
  • Paranormal Activity (2007)
  • Cloverfield (2008)
  • Let the Right One In (2008)
  • Grave Encounters (2011)
  • Chernobyl Diaries (2012)
  • The Woman in Black (2012)
  • Prometheus (2012)
  • Sanatorium (2013)
  • The Borderlands (2013)
  • As Above, So Below (2014)
  • The Similars (2015)
  • Always Watching: A Marble Hornets Story (2015)
  • The Visit (2015)
  • The Witch (2015)
  • Hell House LLC (2015)
  • The Gallows (2015)
  • 10 Cloverfield Lane (2016)
  • Hush (2016)
  • It (2017)
  • Get Out (2017)
  • One Cut of the Dead (2017)
  • Midsommar (2019)
  • Ready or Not (2019)
  • The Lighthouse (2019)
  • The Invisible Man (2020)
  • Last Night in Soho (2021)
  • Censor (2021)
  • V/H/S/94 (2021)
  • Speak No Evil (2022)
  • Deadstream (2022)
  • Pearl (2022)
  • X (2022)
  • MadS (2024)
  • Speak No Evil (2024)
  • In a Violent Nature (2024)
  • The Substance (2024)
  • Bring Her Back (2025)
  • Heretic (2024)
  • Sinners (2025)
  • Weapons (2025)
  • Frankenstein (2025)
So anything I watch between now and the end of October 31st 2026 will be included when I revisit this list for the thrid time.

Frankenstein (2025)

Normally I wouldn’t go and see anything at the cinema if it’s made by Netflix but it felt like if anyone was going to make me break this rule then it would be Guillermo del Toro. I wasn’t sure how many people would share my viewpoint on this but there were about 30 on a Friday night which showed that a great director like del Toro deserves to have his films seen on the big screen. This version follows the basic plot of Mary Shelley’s original but there are a few differences which is how it should be when you are making the latest remake. The film starts off at the end with the creature encountering a ship stuck in the ice and also Victor Frankenstein. After seeing off the creature, Victor tells his story about growing up to make the creature and then we hear what happens to the creature after the house/castle is destroyed.

Even knowing there were going to be some changes to the story, the main reason why I wanted to go to the cinema to watch something that will be on Netflix in a few weeks is because of how it looks. Just from the trailer it looked stunning and it's fair to say that this is one of the most stunning films of the year. I don't know if GDT is capable of making an ugly film and I don't know what the budget was for this film but it can't have been cheap and this is the sort of film that Netflix should be doing instead of giving Adam Sandler money to make rubbish. 

The performances are really good. Oscar Isaac delivers a stunning version of Victor Frankenstein. You buy that he is a mad genius and I thought it was made better when he was acting alongside Jacob Elordi’s Creature. This version of the creature is not like previous ones as it is more melancholy than before and it works as it makes him more human than a big brute that we get in other versions. Don't go into this film expecting a Boris Karloff version cause you will be disappointed. Mia Goth seems to have become the go-to horror queen after starring in the X trilogy with Pearl being the best and her best performance but there is something that I don't think anyone else could have pulled off. There isn't very much to the character of Elizabeth but Mia Goth makes that character seem important and her death is quite sad. Charles Dance is in the film briefly as…..well Charles Dance. It did have the vibe of Tywin Lannister from Game of Thrones but toned down a little. Christoph Waltz is great which isn't a shocking statement because you know when he is appearing in something that he is going to be great in it and he is the one who funds Frankenstein’s work.   

I still think that Sinners is my favourite film of the year but there is very little in terms of enjoyment between that film and this one. Netflix’s quality control is a bit up and down but this has to be one of their best ones and it shows what happens when you let someone like Guillermo del Toro do what he is very good at. I’m not sure I will always relax my Netflix rule but if I think that I am going to get my money's worth with a visually stunning film then I don't mind spending that money.