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Conclave (2024)

For the first time in a while, I was debating between two films to see at the cinema. The first option was Juror #2 because it will probably be the last Clint Eastwood directed film and then second option was this. I chose this because I thought that this might have more going for it. There aren’t many films about the election of a new pope. I think the last film I saw about the Conclave was Angels and Demons about 15 years ago. I was keen on this not just because of the premise but because it was directed by Edward Berger who won the Best Director BAFTA in 2023 for All Quiet on the Western Front. 

GOOD POINTS

Ralph Fiennes & Stanley Tucci

There aren't many famous faces in this film but Fiennes & Tucci are two of them and they do a very good job. Fiennes drives the story along and Tucci pops up every so often and plays his role perfectly. Is he manipulating things to get the top prize of is he a victim of circumstances. It's obvious to say that Tucci is great in a role because he always is but as Megalopolis has shown, even top actors can have an off day but this doesn't apply to Tucci. Fiennes' performance is quite understated but still strong and the role of Lawrence is only made to be as interesting as he is due to Fiennes' performance.

Good Supporting characters

The rest of the familiar names also help. John Lithgow's Tremblay is portrayed as the ambitious and slightly sinister of the candidates for Pope but its never quite pulled off to make me feel like he is a proper villain and instead he is almost like a red herring. The other big name is Isabella Rossellini as Sister Agnes who is the one person that Lawrence can trust even though its not a typical relationship but it helps the story and the idea that Lawrence is a good man in a difficult position.

Very Good Plot

Some might argue that its a simplistic plot or even one that has been seen in films before and that may be true but it doesn't matter as its still very good and it kept me interested throughout. I don't know too much about the process of selecting a new pope and this film manages to make what is probably a rather dull process and turn it into something mildly entertaining and when you add in a dash of conspiracy into the plot then it leads to something that most people can enjoy.

Beautiful Looking Film

Despite most of the film taking place indoors, the film manages to look stunning from the costume design by Lisy Christl to the cinematography by Stéphane Fontaine, the film feels like a lot of attention has been given to making this setting feel important and dare I say it expensive. Sometimes people would say that this film is style over substance but I would disagree, the way that the film looks helps add to the enjoyment.

Perfectly Paced

At two hours, it might seem like the film is going to drag with the plot of a new pope being selected but Edward Berger manages to make the film feel like it was the perfect running time. I don't think that they could have really lost anything without affecting the film but had the film go on for even 10 more minutes then I would have probably not included this in the good points. Very rare do films know what the right duration is for a film but Berger times it perfectly.

BAD POINTS

Revelation of Benitez Felt Pointless

Once Benitez had been become Pope, there is a scene with him and Lawrence and its revealed that Benitez has male and female genitals and its not made out to be a big deal so I wondered what the point of it was. Aside from tying up a loose end in one of the sub plots, this revelation achieves very little. This is a nitpick really but because the film worked so well that any flaw would stand out a lot more 

OVERALL

I wont know for sure until I see Juror #2 but I think I made the right choice. I was very impressed with this movie. Not knowing too much about it probably helps and if you are interested in the mechanics behind the election of a new pope interesting then you will like this film but if not then this will be tough to get through. Easily in my top three of the year.

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